It started in Mucugê, the day before I left Chapada Diamantina, which was Saturday, 25th October, the day before the Brazilian election of their new president. There had been some loud music on Friday, but on Saturday everyone took to the streets, following a trailer mounted with about 12 big speakers, waving banners, cheering, and dancing. The two candidates were the current left-wing President Luiz Inácio Lula da Silva and the right-wing Senator Flávio Bolsonaro. Bahia is a Lula supporter, so in Mucugê it was all about Lula. The one popular song being played all the time, was the sports song, “Ole, ole ole ole,” but ending with “Lula, Lula!” The procession would stop every now and then for speeches and cheering, and then move on again.



They were handing out stickers with the number 13 on it, and back in Salvador I saw a lot of them pasted on the pavement. I asked Mericia about the number, and she explained that each candidate has a number that you type in when voting, as it is all done electronically. Lula is 13 and Bolsonaro is 2.

Mericia and I sat ready at 16h30 on Sunday, waiting for the results of the voting which were supposed to start coming in at 17h00, but then the dramatic event occurred where Lula’s lawyer managed to get a court order to postpone the voting by two hours. Mericia couldn’t explain to me what was happening, so she got someone to type what had happened, and I could translate (this was the person’s view):
“Whatever the outcome of the election, it will be corrupted, and what was supposed to be the end of a dark cycle, with a gradual reduction in polarization, becomes the exact opposite: the beginning of a much darker cycle.
Let me explain why:
The Supreme Federal Court (STF), the institution with the least credibility among Brazilians, overrode the Superior Electoral Court (TSE), through the voice of Lula’s former lawyer, and, with 23 minutes remaining before the end of voting, unilaterally and without precedent ordered a 2-hour postponement of voting in all 5,700 municipalities and 100,000 polling places across the country.
All this in a Brazil on edge, at a time of historically high polarization and hysteria.
Some locations had already closed their doors, sealed the ballot boxes, printed the zeroing report, and released the poll workers.
Considering the immense disparity in votes for each candidate among each electoral college, the composition of these closed colleges has the capacity to completely change the outcome of the elections.
Furthermore, the obvious instability and insecurity in the process will open the door to fraud in a process that has been carefully refined over the years.“
Watching the results was quite stressful, as at pfirst Lula was ahead, then Bolsenaro and eventually Lula led with 51,79%. It being Salvador, the capital of a state that polled a 70% Lula support, the city exploded even before there was a final announcement. Fireworks, cheering, hooters, quite crazy. It reminded me of Mossel Bay after South Africa won the World Cup in 2023, the same mayhem. Except this was the election of a president of a strong and powerful nation, and the news reports on Monday were varied, some in support of Bolsenaro, but mostly in favour of Lula. What was significant was that the Brazilian Real started losing value the day after the election, as the hope had been that Bolsenaro would stabilise the economy, which evidently was not the case with Lula. When rumors started circulating that Flávio Bolsonaro had fled the country, it was said it was fake news, but in fact that is what had happened. Evidently he was facing investigation by Brazil’s Supreme Federal Court (STV) for several different criminal cases and he had lost his indemnity which he had had as senator. Bolsonaro denied these allegations, stating that it was a political witch hunt against him.
Politics is politics, and as one person said “You know why this Brazil is tolerated? Because the profits are immense. It’s a casino, controlled by the mafia, with rigged machines.” I couldn’t help but think: “I am watching history in the making” as I sat there in front of the TV in Salvador watching the results – very exciting.
I still had two days in Salvador, so I went to the Modern Art Museum which had been closed on the previous visit, and was surprised that the entrance was free.


There was a special exhibition of Frank Walter’s paintings, an artist, composer, sculptor, photographer and philosopher, who had been born in Antiqua in the Caribbean in 1926, and whose work only became well-known after his death in 2009. He was very shy, and lived the latter part of his life in isolation in Antigua, focusing on his art. The theme of the exhibition was his use of colours, especially red, black and yellow, which “…can be understood in relation to questions of race, and to the experience of a Black man living in societies shaped by colonialism.” (Daniel Ranger, from the introduction at the exhibition.)



In a separate venue the work of Paulo Bruscky was exhibited. He is a Brazilian multimedia and conceptual artist who did pioneering work using different medias such as the Xerox machine and international mail art. The latter he especially used during the time of Brazil’s military dictatorship (1964 – 1985), and an exhibition of his works led to police censorship, imprisonment and threats of ‘disappearance’.




I had wanted to experience more of the Candomblé religion, so Mericia suggested we attend a service at the Igreja de Nossa Senhora do Rosário dos Pretos (Church of Our Lady of the Rosary of the Black People), which is in the heart of the Pelourinho district. Every Tuesday there is a traditional Catholic mass that incorporates Afro-Brazilian religious syncretism, including their drums, hymns accompanied by percussion, and dancing.



Candomblé is a syncretic religion that developed in Brazil during the 19th century. Originally it was brought from Africa, but because the slaves were forced to accept the Roman Catholic religion, they incorporated their beliefs by associating their nature deities, called orixás, with Catholic saints. They believe in a supreme creator god named Olodumaré, who is served by the lesser orixás. At first they were persecuted by Brazilian law, but now they are widely accepted and many people have joined the Candombé groups. They do not have a supreme governing authority, but have localised community houses called terreiros led by a religious chief, which is often a woman. They wear traditional clothes, perform ritual dances to drumming and music, and communicate with their gods by going into a trance. Their belief system is much more complicated than what I have mentioned here, but I found it intriguing.
After the service Mericia and I walked up Santo Antônio street, another area with colourful restored buildings, shops and restaurants. She had told me to go there on my previous visit, but it had not materialized, so I was happy to see it, even late at night.




































































































































































































































































































































































































































































































































































































































































































































